翻訳と辞書
Words near each other
・ Erich Habitzl
・ Erich Hackl
・ Erich Haenisch
・ Erich Hagen
・ Erich Hahn
・ Erich Hallhuber
・ Erich Hamann
・ Erich Hampe
・ Erich Handke
・ Erich Hanisch
・ Erich Hartmann
・ Erich Hartmann (photographer)
・ Erich Hartstein
・ Erich Hasenkopf
・ Erich Haupt
Erich Hauser
・ Erich Hecke
・ Erich Heckel
・ Erich Heller
・ Erich Hellmann
・ Erich Herker
・ Erich Herrmann
・ Erich Hilgenfeldt
・ Erich Hintzsche
・ Erich Hippke
・ Erich Hoepner
・ Erich Hof
・ Erich Hoffmann
・ Erich Hohagen
・ Erich Holt Stem


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Erich Hauser : ウィキペディア英語版
Erich Hauser

Erich Hauser (15 December 1930, Rietheim – 28 March 2004, Rottweil) was a German sculptor.
== Life ==

From 1945 to 1948 Erich Hauser was apprenticed to a steel engraver. Moreover, he was taught drawing and modelling by Father Ansgar at the Beuron Archabbey.
Afterwards he studied at the ''Freie Kunstschule'' in Stuttgart taking evening classes in sculpting.

Since 1952 Hauser worked as a free artist and sculptor. His first influences were the sculptures of the Spanish artist Pablo Picasso and the Italian-French artist Berto Lardera.
In dealing with metal he was influenced by contemporary ''informel'' painters of the 1950s. At first his steel sculptures still showed noticeable marks of processing. Later he opted for smooth surfaces.
Since 1962 he worked with industrially pre-fabricated steel plates. At the same time he dealt with basic geometrical structures and technical structural elements, which were characteristic of Hauser’s first autonomous works.
He transformed composed surfaces into hollow sculptures to be viewed from all sides, showing edgy burrs and caves. The sculptures cannot be walked-on. Hauser assembled the metal elements in such a way that they finally became regular hollow bodies. Thus he created spheres, cubes and tetrahedrons.
It is significant of these works that they seem likely to break or fall to pieces or be in risky balance.
Hauser’s participation in the ''documenta III'' (1964), documenta 4 (1968) and documenta 6 (1977) in Kassel brought about his artistic breakthrough.
From 1964 to 1965 Hauser was a guest lecturer at the school of visual arts in Hamburg. Since then he frequently used pillars as subjects and discovered spatial height. Since 1967 he made his sculptures from polished metal discs shaped as pipes divided lengthwise. In 1969 he was awarded the renowned prize of the São Paulo Art Biennial.
In 1970 Erich Hauser became a member of the Art Academy in Berlin.
Since the 1970s he created numerous sculptures for public places e. g. in Darmstadt, Hanover, Kiel and Kassel. In 1971 he created a double sculpture for the Hesse ''Landesmuseum'' in Darmstadt, and in 1977 he provided sculptures for the walls of the Berlin State Library.
He accepted commissions, and also created small sculptures of crescent-shaped discs on cubic blocks.
In 1970 Hauser moved from Dunningen to Rottweil and helped establish the ''Forum Kunst Rottweil''. Next to his workshop in the so-called ''Saline'', he created a sculpture garden, where the ''Art Foundation Erich Hauser'', which was founded in 1996, keeps presenting his works to this day.
From 1964 to 1985 he was a visiting professor at the school of visual arts in Berlin; in 1986 he received an honorary degree as professor from the state of Baden-Württemberg.
One of his remarkable sculptures is the Stahlengel (steel angel) (1987) in the ''Hanover Mile of Sculptures''. The stainless steel sculpture is 12 metres high and 16 metres wide.
In 1996 the Erich Hauser-Stiftung e.V (Erich Hauser Foundation) was founded. Its main purpose is the preservation and presentation of Hauser’s works.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Erich Hauser」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.